All Maron, Anton von Oil Paintings
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Maron, Anton von Provost Andrews oil painting


Provost Andrews
Painting ID::  19297 		Artist: Maron, Anton von
Painting: Provost Andrews
Introduction: Oil on canvas Trinity College, Dublin.
   
   
     

 

 

 
 

 

 

 
Maron, Anton von Portrait of Elizabeth Hervey 4th Marchioness of Bristol oil painting


Portrait of Elizabeth Hervey 4th Marchioness of Bristol
Painting ID::  39718 		Artist: Maron, Anton von
Painting: Portrait of Elizabeth Hervey 4th Marchioness of Bristol
Introduction: mk150 c.1778/9 76x59.5cm
   
   
     

 

 

 
 

 

 

 
Maron, Anton von Portrait of Elisabeth Hervey oil painting


Portrait of Elisabeth Hervey
Painting ID::  80127 		Artist: Maron, Anton von
Painting: Portrait of Elisabeth Hervey
Introduction: Oil on canvas Dimensions Deutsch: 76 x 59,5 cm Rahmenmaße: 90,5 x 73,5 x 8 cm cyf
   
   
     

 

 

 
 

 

 

 
Maron, Anton von Portrait of Johann Joachim Winckelmann oil painting


Portrait of Johann Joachim Winckelmann
Painting ID::  82844 		Artist: Maron, Anton von
Painting: Portrait of Johann Joachim Winckelmann
Introduction: 1768(1768) Medium Oil cyf
   
   
     

 

 

 
 

 

 

 
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     Check All Maron, Anton von's Paintings Here!
     Austrian, 1733-1808 Austrian painter. He studied at the Vienna Akademie and, in 1755, he went to Rome, where he was based for the rest of his life. From 1756 to 1761 he was first the pupil then the assistant of Anton Raphael Mengs. In 1765 he married Mengs's sister, the miniature painter Theresia Concordia Mengs. After collaborating on Mengs's fresco paintings in Rome (at S Eusebio and the Villa Albani; both in situ), Maron, working independently in Rome, spent some time on altar pictures (S Maria dell'Anima) and on various decorative projects. Mengs's influence is evident in Maron's ceiling pictures in the casino of the Villa Borghese (1784; in situ), where five paintings tell the Story of Aeneas and Dido in the style of quadri riportati, using clear construction, sharply defined drawing and a historical concept based on antiquity. Although he received many commissions for this type of work, Maron's true gifts lay in the field of portraiture. Along with Pompeo Batoni, Maron was the most celebrated portrait painter in 18th-century Rome, and he received an enormous number of commissions from princes, diplomats and church dignitaries and from English aristocrats visiting Rome as part of their Grand Tour. Maron painted such sitters in the same style as did Batoni, usually full-length and life-size, in elegantly fashionable dress, against backgrounds of Classical sculptures and views of Rome. Portraits such as those of Francis, Prince of Anhalt Dessau . Related Artists to Maron, Anton von : | Olivier, Woldemar Friedrich | Fedor Rokotov | Francesco Parmigianino | GOYEN, Jan van | etienne Prosper Berne-Bellecour |

 

 

 
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